The Narratives of History in “Killadelphia”: Part IV

Over the past few posts, I’ve examined Jupiter’s backstory in Rodney Barnes and Jason Shaw Alexander’s Killadelphia, specifically looking at the ways that Jupiter’s story illuminates the violence, trauma, and dehumanization of chattel slavery in the United States. Jupiter introduces us, as well, to Sally Hemings, the enslaved woman that Thomas Jefferson raped and sexually assaulted, notably after the death of his wife Martha Wayles. John Wayles, Martha’s father, may have been, according to Madison Hemings, Sally and some of her siblings’ father, thus making Sally Martha’s half-sister. This fact could partly explain, alongside the economic exploitation, Jefferson targeting Sally for his sexual indulgences because she may have looked, in some ways, like Martha. Today, I want to look at Sally in Killadelphia, specifically at Abigail Adams’ relationship with Sally and Abigail’s perspective of their relationship.

When Abigail spurs Jupiter on to murder Jefferson, she walks around the grounds of Monticello and encounters Sally taking a nighttime stroll. When Abigail introduces us to Sally, we see Sally standing on the grounds, looking up at the sky. Abigail, at a distance behind Sally, haunts the panel. We see her in silhouette, her eyes the only part of face we see at that distance. Abigail describes seeing Sally as “a gift from the universe.” Abigail’s…