The System of Whiteness in Atlanta’s “Three Slaps”: Part I

In a recent post, I looked at the illusion of whiteness in the opening scene of Atlanta’s “Three Slaps.” I delved into how the white character on the lake talks about the inaccessibility and accessibility of whiteness, and discussed Michael Collins’ feelings of comfort in the illusion of his closeness to whiteness in Dwayne McDuffie and Denys Cowan’s Deathlok. Today, I want to continue…

--

--

Get the Medium app

A button that says 'Download on the App Store', and if clicked it will lead you to the iOS App store
A button that says 'Get it on, Google Play', and if clicked it will lead you to the Google Play store
Matthew Teutsch

Matthew Teutsch

Here, you will find reflections on African American, American, and Southern Literature, American popular culture and politics, and pedagogy.