The System of Whiteness in Atlanta’s “Three Slaps”: Part I

In a recent post, I looked at the illusion of whiteness in the opening scene of Atlanta’s “Three Slaps.” I delved into how the white character on the lake talks about the inaccessibility and accessibility of whiteness, and discussed Michael Collins’ feelings of comfort in the illusion of his closeness to whiteness in Dwayne McDuffie and Denys Cowan’s Deathlok. Today, I want to continue…